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Friday 15 March 2013

Northern Quarter Manchester - Music Trail

A visit to the Northern Quarter in Manchester to photograph the areas links to music. Everywhere you turn in

The Northern Quarter its links to music are apparent but for me the first port of call had to be the Roadhouse.

Roadhouse

The Roadhouse has played host to many famous bands over the years. Manchester band Elbow played early gigs there and most of them worked there behind the bar and on the door before hitting the big time and are still best mates with the owner Kate. Local bands I Am Kloot who's music is produced by Elbow's Craig and Guy have also strong links to the Roadhouse along with The Rainband who are currently taking the music industry by storm. From Coldplay to Texas, they,ve all played here.






The Castle Hotel

The Castle now hosts a small intimate music venue of its own. The Castle is more notebly known for its link to Joy Division's Ian Curtis who was interviewed here by John Peel back in 1979



Night & Day


Night & Day has played host to thousands of bands over the years and is one of Manchesters most respected music venues. Elbow's Guy Garvey is reported to have spent so much time here in the early years  that he gave out the venues number as his home number to record companies





Matt & Phreds


Matt & Phreds is now a jazz bar but was once P J Bells, P J Bells once again saw the likes of Elbow gracing its stage in their early years




Posters, advertising, iconic buildings, record shops dotted around the Northern Quarter












I did have a few more images but blogger wont let me upload any more. I'd like to go and reshoot some of the venues, I shall be doing a further post on music venues around Manchester so will reshoot then. I will also go more indepth in to Manchester Music and its icons




































Monday 4 March 2013

Music Photography

Van Morrison's - Brown Eyed Girl




 
A song I often sing to my Brown Eyed other half
 
 
 
 
Ive done this one as it appeals to my sense of humour
 
Dean Martin's - Standing On the corner
 
 
 
I went to a bird of prey park on Sunday and captured the above Vulture, he really made me laugh the way he was just sat there watching everyone go past, he probably wanted to eat them but hey ho!
 
 
 

Studio Submission

Here are my final images for my studio brief. When it comes to lighting I still have a lot to learn, i've tried to mix up my submission by including both still life and portrait.


Image 1 - Converse

 
The above was lit with a softbox, that gives it a soft even light, however with using the reflectors, this highlighted areas of the watch and rock, it also highlighted the table as it was a gloss top so these were smudged out in PS


Lighting setup for the above image


 
 
 
 
Image 2 - Glass
 
 
This was placed on a still life table which was lit from behind with a softbox flash slightly to the left of the subject. The softbox gave it a nice soft even light which stops any glare reflecting off the glass itself but still shows the detail in the glass.
 
 
Lighting Set Up for above image
 
 
 
 
Image 3 - Skull
 
 
The subject was placed on a perspex sheet with further subject matter underneath. The underneath was lit from behind with an halogen spotlight with barndoors and set in front of the spotlight was a honeycomb grill. The honeycomb grill diffuses the direct glare from the spotlight and allows just enough light to light the subject matter underneath whilst not affecting the light to the main subject. The top was lit using a discharge tube light within a beauty dish, this gives a much harsher light than a softbox.
 
Lighting setup for the above image
 
 
 
 
Image 4 - Low Key
 
 
The boards either side of the light ensure that the light is directed straight onto the subject. The deep reflector gives a harsh directional light that is good for shooting "mean & moody" shots and is perfect for low key


Lighting set up for the above image

 
 
Image 5 - Rose
 

The above image was placed on a still life table, to the right rear was a continuous light with barn doors, to the front right was a flash with honeycomb grill, the honeycomb grill allows you to put a strong directional light upon the subject, which is good for highlighting a particular part of a subject. The above image was deliberately over exposed and a slow shutter speed used to give the above effect.

lighting set up for the above image

 
 
 
Image 6 - Serrano Inspired
 
 
Background lit by constant light source with a softbox to the right of the subject. The softbox gives a a nice soft even light that does not produce shadows and is perfect for use on portraits.
 
 
 
 
Image 7 - The Doc
 
 
The above image was lit using a lounge uprighter lamp balanced on top of an ironing board with a tinfoil reflector to the left of the face, I had quite a bit of natural light from the right hand side from a window
 
Lighting setup for the above image
 
 
 
Evaluation
 
Overall I am very pleased with the level of my submission, I still have a lot to learn in terms of lighting but I think the images show I have the ability to light various subjects. During the studio work I constantly found myself altering the lighting setups to try out various other options to the ones set up prior to the shoot. I also tried to think outside the box in terms of how I shot a subject like the Rose, the Glass and the doc images show.
 
 
 
A Bit More On Studio
 
 
Lighting in the studio:
 
Flash:-
 
Softbox - Diffuses Light
Beauty Dish - Contrasted for a more dramatic effect
Snoot - Produces a small pool of light, good for still life and highlighting
Honeycomb - Produces small patch of light
Deep Reflector - Deep & Moody - good for low key
Constant Source:-
Red head
Discharge Tube Light
 
Here are a few more images good and bad from my time in the studio: